Sofia Tiu - Art Movie - Adobe Premiere Pro - April 9 2015
TECHNICAL
When it comes to technical steps for my art film, I mainly used the tutorials that Mrs. George-Easton taught us during class. One of the most common technical steps I used was the fading between the clips. I used the video transitions > dissolve > film dissolve or flash dissolve. There are different points in the movie where I wanted the clips to fade into each other smoothly and different parts where I wanted them to 'flash' to the next, to insert the principle of timing and add more suspense towards the film.
I also used many of the Noise&Grain presets to make the 'Dead Men Don't Wear Plaid' clips to look more grainy and old, like Potemkin and Metropolis. In video effects > noise and grain > dust and scratches; and noise. I used the dust and scratches to make the clip look slightly blurry, but not so much that it's completely blurry that no one can understand what's going on, but enough so the clip looks like it was made in the early 1900's. Using the noise, it adds a 'dust' effect like Metropolis and Potemkin have because they've aged, and by using both dust&scratches and noise, it made Dead Men Don't Wear Plaid appear to have aged as well.
The last thing I learned to do was how to do 'layer blends' on Adobe Premiere Pro. Technically, the correct term is 'clip blending,' however it was the exact same as Photoshop CC. Even though they use the same layer blends and opacity settings, it was still difficult to function through Premiere Pro and change the layer blends of the clips.
IDEA OR CONCEPT
The main concept that I wanted to incorporate the most in my art movie was that the man in Dead Men Don't Wear Plaid appears to be loitering, somehow, and gradually through the movie gives an untrustworthy vibe throughout. Also, I wanted the ending to be somewhat ambiguous, but made clear that the man has the baby, and the viewers are left determining why the man wanted the baby, who is the baby, who is the man, and what will happen to them both.
My main concepts stated above were definitely my priority to make happen. I knew that if I had other ideas come along, that I would want those main concepts to appear in the film. The one idea that I had that did not make the final product was a whole different concept for the film. My original idea was to create a funny, amusing and entertaining film that would make the viewers laugh. If you have seen my art movie, that idea went completely out of the window.
INFLUENCES
I got my influence from this one movie that I have recently watched online. To be completely honest, I don't remember the title of the movie, or any of the actors in it because it was an indie film and something that I have never heard of before. However the entire movie took place by two perspectives and they would weave into each other. I.e. 5 minutes about POV 1, cut into 5 minutes about POV 2, and it would continue for the whole film. Not only was it really mind-boggling, but also confusing because it was hard to differentiate whose perspective belonged to which character. By this 'weaving' I incorporated it into my art film, by showing seconds of the man, then seconds of what's going on 'outside.' And if you noticed, the weaving occurs throughout the entire film.
COMPOSITION
In my art movie, there's not very much symmetry or asymmetry. I could say that I intended for it to be asymmetric, but that would be lying. I'm not sure if this counts as composition, but I wanted the 'weaving' to be a contrast. The clips of the man were fast-paced, as if he were on the run. However the clips of Metropolis and Potemkin, were all slowed down to 20-50%, to emphasize the trauma occurring on the 'outside' and allowing the viewers to have time to 'try to' comprehend what's going on in the outside and why this is happening.
I didn't necessarily intend for any movement in my film, but I did intend for the eye to catch certain things and certain subjects of the clips to become the centre of attention. I know for my Dead Men Don't Wear Plaid clips, I intended for the man to be the centre of attention in every clip. The baby was the focus, the lighter, the word, "MOLOCH!", etc. There were many different times I wanted the audience to be intrigued and become appalled as to why 'this' happened, and what 'this' necessarily is.
MOTIVATION
Beyond fulfilling the requirements for the art movie, my personal motivation was to try and push myself out of my comfort level. I'm not necessarily a happy person, in my opinion, and sometimes I don't realize I look extremely angry/rude, but I'm not a morbid person. I hate horror movies and I couldn't bear to watch Paranormal Activity without being pressured into it by family. Even though I'm okay with blood and gore, I like happy things. I don't like watching a girl die because a chainsaw ripped her body, or listening to the suspenseful music of Jaws- they scare me. I like cute things. I like pink fluffy unicorns dancing on rainbows, I'm that person. So for this art movie, I decided it was time to take things to a next level and push myself further. I knew that I could accomplish mediocracy, but I knew with this art movie I could do better than that. Honestly, I hope I did.
CRITICAL ASSESSMENT
The most successful part of my art movie was my main concept. I believe it was original enough throughout the years this project that existed and that I successfully left my little comfort zone. I think that knowing myself and my personality, I wouldn't have expected myself to create an ominous film like this, perhaps three months ago. Even though the most successful part isn't really something technical, I'm really proud of myself for being able to achieve something that I wouldn't have dreamt possible, especially for a first-time user in Premiere Pro.
None of the parts of the process really surprised me. I didn't think that Premiere Pro was too hard to learn, or that creating the art movie itself was really difficult. Even though the concept of it was hard for me to grasp, I didn't really struggle to create the movie itself. I found that this assignment wasn't necessarily 'easy.' However, it wasn't a huge mountain to climb like that Photoshop montage. In my opinion, the difficulty level of this assignment was what surprised me the most.
With more additional time, I think I would have found a better audio track. Don't get me wrong, I love the suspenseful and eerie music that I found, but I honestly believe that I could have found a better one that suited the movie a little more. Many people would disagree, but I believe the only reason that music works is because it's very ominous, suspenseful and little too scary for my liking. I think that there are tons of audio clips out there that I could have used, and with search restrictions with the wifi, I think I could have only listened to about 20.
